CHATHAM
COVE
The sky hung in the air, thick and
melancholy with a certain tension that made the trees quiver. The clouds
entangled themselves in each other, purple and clotted. The wind had picked up
from the afternoon, whistling through the empty branches of the trees
encircling the house.
The slice of the waning moon glinted off the waves as they tormented the rocks crashing
over and over, with the promise of a vicious storm. Every few of the windows of
Chatham Cove were alight and glowing, contrasting contemporarily to the cruel
tone of the dusk outside.
Nathaniel O’Donoghue peered out his
small second floor window into the tempest storm, hoping for a clear morning.
His train was due in the exceptionally small and, in his opinion, very sorry station,
at 6:25 A.M.. Thus, with an air of finality, Nathaniel O’Donoghue snapped his
blinds shut, muffling the brewing storm outside. Directly above Nathaniel’s
room, on the third floor the curtains remained ajar, letting a soft light emanate
from the room. A figure passed the window and back again, pacing the short
expanse of their room.
Collette Montel’s room was located
on the third floor on the opposite side of the small inn, a single room dividing
her and the pacing figure. She was gazing at the lighthouse that sat alone atop
the jumble of rocks that supported its base, briefly off the coast of Chatham
Cove. The elderly women leaned her elbows on the window sill, rocking her chair
forward to watch as the spotlight highlighted the white caps of the ocean,
illuminating the fast approaching storm.
The room that stood between the
continuous pacer and the aging French woman lost in thought, was dark. The
curtains lay open as if it were still day, but no figure was visible from the
window, the occupant must have fallen asleep.
But James E. Cameron was not
asleep. A puncture in his throat, once having started as a small pin hole was
ripping and tearing through his tissue every time he gasped for breath. The blood
gurgled out of his neck and mouth, like a twisted impersonation of a fountain. His
right hand shook just above the ground, his head barely on the pillow. His body
was seizing so violently that, in his last few moments, he tumbled from his
bed, landing face down on the periwinkle blue, plush carpet. His eyes rolling
back into his skull and his body stilled to that of a sleeping man.
Which is what Taylor Michelson was
until a sudden shake of the ceiling above woke him. The stiff, frigid air that gnawed
at his face led his eyes to the window that he had left cracked. It had flown
against the wooden side of the tiny inn, letting rain trickle onto the floor.
In a semi-awake state, he fumbled with the latch on the window, finally
managing to secure it and clamber back into his queen sized bed.
Tara Daley lay in her bed in that
last room on the second floor. She looked the part of someone who ought to be
asleep; she was in her nightgown and her long, graying hair was braided. Her eyes
lay closed and her hands placed on her heart, which was beating, as it had not
done in years. Her breathing was ragged as she tried to calm herself by
repeating Hail Mary’s in her head, lines tumbling over each other in her fear,
like the waves cascading upon the rocks below.
Love from,
The Blonde and the Bullshit
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